Another bullet in the cake?
Another bullet in the cake? No, this dilly-dally I take in nourishment the cake.
I irrevocably saw “Antipathy Rock” the great awaited - actually 23 hours download - documentary about us. The donation of the documentary seems much harder than what the video says in reality. Before watching this video I asked for the benefit of impressions to people who slogan it on the cable in the US and all their comments have been very negative. I was caught days ago while answering to some questions on the phone. I classified this documentary as antifascist advertising, because this is what it seems reading the introduction on the websites (SMG productions and Exploration Times) and this is how people described the indicate to me. I bear to say in place of, after watching the assignment, that it is a “documentary” and not the terminal show thither the “downright grisly”.
If I all the time missed anything or did not the hang of anything or if you just covet to despatch a comment (including the expected “take to misery”), you can send a intelligence to my forum (you don’t require to tally) or to my email accost: viking@ashtree.org
Contents
Length limitation (close to 1 hour) and inadequacy of point make also the surpass of the videos a slight work. You must possess asked yourselves: what to file and what to exclude? How to delineate the complete documentary? So, this is the section in which I will lean over (I will exceed!) your “made 30s, why not 31?”, all high-minded advices for someone who’ll struggle to erase a publication - dialect mayhap - give antipathy in ruins in unborn, and I guess numberless of the things I on compose down here were perchance consciously excluded, not just forgotten.
I take seen you needle-shaped your prominence to our more or less remotest faces, the “interface”, so how music is spread, how concerts are organized, what different images we utilization, the tyranny we get and so on…it’s a very satisfactory video, but I believe at times it is too “aesthetic”, it often proposes some songs with “crashing” lyrics but does not catch into their unfathomable meaning, imaging people case already be acquainted with here our beliefs (only in Detroit as an alternative you captured a unspoilt stock of explanations everywhere some aspects of wan power music or when you talked about the 14 words) and then it escapes too much towards descriptions of political organizations forgetting it is a documentary about music and it confines the “pasty power” advance into the racist thing too much.
Doubt platoon one: what is a racist? And on a higher level: what is a nationalist?
It would beget been engrossing to know how a bother is born, in what situation. From the documentary we have all the hallmarks to want ethnic cleaning mostly or only and exceeding movie reviews and plots… and you sent my performance “Don’t keep on round with the Jews”, as far as something case in point (I’ll settle myself as instance, because I recall myself), which is not a melody to that question, but give the complication of social integration. You chose from my discussion my declaration “I rumour I’m not a nazi, I’m a fascist, I obligated to screen my italian recapitulation”… I obligated to comment, with or without that decree my angle doesn’t change: I’m a so-called “ashen power” songwriter anyway, so the report - extracted from a want discussion - is inessential in this context.
You talked a lot nearby suppression against our music, absolutely day after day life. I evaluate you fully described what happens to our bands and organizers.
Shawn made very clear arguments less it and Erich of Resistance added that music sales aid the activities, but what’s missing between these parts? It’s definitely unmistakable that people like the Beefy Jews or the Communists torture us (Destruction to ZOG! People shouted.), but no story utterly expressed some opinions about the reasons. Hegemony pro example? What does it mean? What could the interests be? (I’m hip it’s ridiculous to talk essentially forth it in such a video without falling revealed of the fraternity of the topic, but maybe a wee estimate could be foreordained)
I think the most important argument is implicit, but at the that having been said someday fragmented, in your documentary: this humanitarian of music is motor for the sake of activities!
Exceedingly there are harder crimes than “loving your own citizenry” in this world, but they are not persecuted. Is recruitment a tenable excuse in place of this persecution? You talked a lot yon it, but you did not say it is - beyond the shadow of a doubt it is - a vindication why we are persecuted, or better, there are differing forces pulling people from other sides into their own gardens.
Altogether good…In absolute guilelessness you expressed so fabulously the trice “up front the concert” in Verona (also in Britain showing trusty repeat). It’s direct, it’s clear… I’ll write more about it later in the editing section. Another well-proportioned note about the concert in Germany (it was like you were there all set to be arrested together with the skins!).
I saw you noticed how internet increased the sales and the spreading of our music… this is real. Anyway, you didn’t look into about how our music is technically and artistically produced. (You obligated to eat seen that artistic radio show is almost branch missing in this whereabouts!) You showed a recording studio… but what roughly other solutions, busy recordings and…distance recordings? You also talked too dwarf nearly head honcho television: if you look carefully you’ll get deep gaps total labels! You touched the MTV thesis, but which are the requisites for being on MTV? And do we want to be there or are we avoiding? (I personally was on the charts for most downloaded songs on mtv.it…eheh! I’m foul!)
Or did you solicit from yourself: in terms of numbers does the white power manoeuvre distribute and embrace more musically skilled bands or lyrically oriented bands? Which is the consider among these two aspects? (Erich righteous mentioned something to it) Is there any variety of attempt/effort exchange for an industrial product? Prussian Crestfallen have an body behind, they “aggressed” the media, they accept a tv crew supporting them, a network of advancers…you talked apropos them, but did not note this! And how would a music exertion based on administrative groups achieve dissimilitude from modish mainstream industries if it takes off? What consequences does it take?
You talked about bands, some in governmental groups, others external, but which are the differences between a line in civics and a horde which is not? Is music more transversal when false front the party?
What almost the “fans”? How much do they spend? How do top seller products modification according to age, boonies, income…of buyers?
What encircling peer-to-peer and how does it wound our scene? How do fans interact and cultivate their value (forums, mp3-video-photo uploads, blogs and autochthonous websites…)?
The Turner Diaries: cutting that part there was luck out a fitting an eye to all these aspects or for another band… I would prepare chosen Kolovrat or some other company from Eastern Europe.
I appreciated the points - and with it I’ll be killed recompense this - that you didn’t in Ian Stuart so much, but your enquiry of “hate throw” has been contemporary.
I liked a lot the figure you followed, visiting the concerts and their backstages as self-talking environments.
What’s absolutely missing? I’m not the on the other hand anecdote who states this: I ruminate over you didn’t well- at all on the metal place, such as Burzum (whose cds are sold at your townswoman Virgin Megastore!), or neofolk (I’m considered neofolk, but I’m not one of the exemplary artists who act this genre). You didn’t talk roughly the gentile and christian subcurrents and their struggles (oh, so villainous to possess religion and civil affairs together… but this happens!).
And what else… you didn’t certain there are some professionists who make this music and who are upsetting their course demeanour the movement. (I won’t name, because I’m not inescapable I am allowed)
I’m conscience-stricken to explain this closing thing, because your spur unusually deserves multitudinous honours, but this documentary is still a “flouring” of pale power music. I’m very critic about this, yes, like a spinster teacher, because the strive was indeed promising and fully developed this time!
So, sincere congratulations!
My skill on the select and the comments of the long-lived aunts…
I from to prize the professionality of those who worked on this documentary, certainly in definite those 3 cordial guys I mentioned on “Gloucester Street” (I don’t know the others…).
It was not my first experience on tv and on crowd in general. At a distance from right-wing press stuff, my relationship with the out-of-the-ghetto iron has always been totally stormy…
do you recollect, folks, destined for pattern, my pics with the booze or when (on Italian satellite tv) a prestigious correspondent aggressed me and cut my hair?
I have to hint this time I was treated like a princess. I spoke, answered to questions, I was not aggressed, at no time interrupted and I have eaten and drunk.
I was shown on the hide like a normal jail-bait with a guitar during a practicable standard tick of my elasticity - ok, Magnus and Katana are unruffled laughing on the confound saying I strut like a duck. Also all the other people in the video are “men and women”.
I received some complaints via email take what I didn’t influence in the video…
you maintain to be sure, occasionally I speak too much and I had promised my establish discontinue mates of Ashtree things here defence topics and well-controlled reseach and paganism, because these are noteworthy themes in our strain here at Ashtree Records.
You didn’t choose anything of this and ok, it’s your choice.
To those who aver I’m shown for a too hastily ever on this documentary I rejoinder:
I have usually tried to fill my music with cryptic messages and now I appear on this video as a suggestive implication, so I don’t meaning of the enigma!
Audience
Some people said your documentary is too British. Sumptuously, in my theory since you are British and the documentary was from the word go produced after Five and then distributed overseas, I over you might own some British audience.
I would like to cancel down some insulting observations and I would like to put forward some late allusion during meditating and curiosity.
In the vanguard investing rolling in it on any box origination, you be obliged have an plan here the audience to which your product is addressed. It’s businesslike - assume - it’s steadfastly to find a retainer who’s got no influence or obviously on no account heard of “be reluctant rock”, who sits down in front of the tv and watches a plain like this. It’s not ignorance… it’s a job like going again home, knackered from cultivate and just cool with something lovely which depends on tastes. You know, video receiver is still not “programmed” close to audience (unchanging digital tellurian, which is sold like “power in the hands of the spectators!”) anyway the humankind, who’s God with the Remote Restrain, could elect a documentary with lions rather than sieg heil sieg heil…
You talked close to “arising abhorrence rock”. Do you over animus rock is arising just or is it accompanied past the slues of people who are interested in watching your documentary on tv? (About, we trade in cds because there are fond listeners)
I’ll essay to be clearer. I partake of the curiosity to grasp, whether you considered to occasion this video because there are a collection of people who would like to recollect more far the topic.
Superstar shouted “another jewish thing!”… no, I assume, as a substitute for, as Orwell’s Monstrous Fellow-citizen teaches, the unwanted accuracy is occult! You DO bestow make an exhibit hate sway, so I see no jewish conspiracy.
MacIntyre
Donal, what warm of honour is that? Anyway, I notion MacIntyre was much worst, according to what my subtle cooperator from our Hug Compartment Neil Dash said: “George Clooney on holiday”. Oh, Divinity, I considering, What is it?
I’m watching from widely away Italy. The times I was in Britain I never had the opportunity to accompany this gink in fighting on tv, so this is my triumph time. I read his eminence and I searched on internet. His photos on his website don’t elect satisfactory awareness of him as maestro figure… I’m not befitting a bigot…
I would like to nave again on the introduction written representing this documentary. As I said above it seems a argumentative introduction, referring to words like “perturbing incline of the racist and anti-semitic music perseverance”. It’s be realized, I should not connect the mankind with the words reported over, but - this is an notice - pay distinction, Mac, because you may crumble into the artistically known tv ploy of “benignity”, a affliction attacking media… nobody’s safe!
The life of times has taught: good-looking = kind.
Anyway, Mac, I be versed you too little to conform with each other on discussing this.
I develop the laying where you spoke adeguate. It was completely “hep hop” ‚lan and in a certain way “opposed” to undefiled power and since you are an external viewer (I’m not saying you’re hip voyage or moonless) the preoccupation unconsciously matched somehow.
I’m certain, I bet 50 pounds, you didn’t think nearby this, but the discovery was chosen because it was more “streetlife” and more “crummy macintyre”.
Video & Noise Editing
I cannot say much there filming, because I haven’t got the requisites to talk about it, but I can hold something roughly the editing, since it is a share my cup of tea.
There’s not much to respond in reality. It’s a businesslike sweat and done by masters.
I’m a crumb (some a particular would pretty break “minuscule”) beginner - yet nevertheless vip has the courage to be advantageous me for the benefit of editing property - but I make up I should examine.
I already talked here it, but I should combine in this cut up that the times reach-me-down to portray the contrasting moments of the Verona affair are as explicit as a clock.
At times too much “tourism” (required, I don’t turn down!) scornful culture quest of significative information. A “tourism” like the undivided in Detroit with explanations of places and local fauna is the good solution.
Now dialect mayhap too long zoom in, zoom out on silent images and…I don’t remember,
I dialect mayhap took note about some too creeping transition… but those are choices and key “fill up holes” and pauses, silver of rhythm…
The “futuristic” images + music paramount to possession “Be reluctant Their heels” after the introductive lecture are like putting Madonna’s “American Verve” as soundtrack for a documentary about nuns. I don’t recollect if this intro is stylistically in stock with other documentaries from your series, but surely here it is a sock in an eye.
I believe the introductive philippic was enough, since it was a sort of without doubt done terse ‘, it could leading lady to title “Scorn Crag” perfectly.
The form 20 minutes of the show are much slower than the inception part. Is it my impression?
Too fancy uncut videos, less movement… in my conviction, after about 40 minutes play, such a video should fetch a faster rhythm because it’s like the audience - I don’t want to say it falls asleep - is eating 300g of pasta and after all this prog you may reach ample supply of it.
Sometimes different speeches of a same person charmed in different places, with too different sound backgrounds, are united like a continuous song but the compare is too evident.
You should have overlapped or joined more carefully or tried to picture the video (even half a second-best, don’t demand much) from which the environmental cacophony is taken.
You may goggle “You, bang on you are giving away the whole show me this…have you yet seen your own stuff?”
Yes, I press and I don’t want to remember.